While it feels like a tongue-in-cheek goof to say that Minor Threat covered The Monkees, the song’s lyrics actually contain the same themes of assertiveness and self-empowerment that can be found in many Minor Threat songs. And New Years Day’s cover, led by a Harley Quinn-ified Ash Costello, only enhances the song’s eerie vibe. When The Ataris released their fourth album So Long, Astoria in 2003, “In This Diary” was tagged as the album’s lead single. Ari Up even changes the lyrics to “I heard it through the bassline” a couple times for good measure. Because of this, Four Year Strong’s interpretation comes off as a little too jarring. The acoustic guitar only lasts for a few measures before giving way to ADTR’s signature sound. 1 on the Billboard Hot 100 and won three Grammy awards, but it was the soundtrack’s trio of cover songs—Michael Hutchence covering Iggy Pop’s “The Passenger”, Massive Attack and Tracey Thorn covering Smokey Robinson’s “The Hunter Gets Captured by the Game” and The Offspring covering The Damned’s “Smash It Up”— that proved to be its most interesting component. Since its release, Ramone’s version has become a pop culture touchpoint, showing up in a wide variety of films, television shows, and commercials. However, their Crystals/Ramones mash-up of “Da Doo Ron Ron/I Wanna Be Sedated” serves the dual purpose of highlighting the band’s best selling points (lead singer Kelly Ogden’s charmingly plucky vocal delivery and Luis Cabezas’ lock-step rhythm guitar playing) while also framing their sonic influences in a cleverly meta way. Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the. Of course, as with any expansive discography, not every song can be a hit. While surveying the ferociously fun punk covers landscape to compile a proper best-of list, there are a few things that become immediately apparent. How could it not, having been performed by Mayday Parade? Throughout their six albums and various EPs, singles and compilations, Mad Caddies have continuously augmented their punk approach by fearlessly mixing in multiple other genres to create their distinct-yet-divergent sound (polka and sea shanties included). ... Best Written Television Series of All Time. Because of this, ’s interpretation comes off as a little too jarring. Forever The Sickest Kids couldn’t have made Rihanna’s “We Found Love” sound any more anthemic. Joy Division, made dancier and less depressing. 20 Surprising Indie And Rock Covers Of Pop Songs You Need To Hear. Although Reel Big Fish’s (three years later) cover of “Take On Me” got a little more notoriety due to its involvement with the BASEketball film and soundtrack, MxPx’s version has more raw charm to it by foregoing the tongue-in-cheek cheesiness for unfiltered punk spirit. The acoustic guitar only lasts for a few measures before giving way to ADTR’s signature sound. They made the sound brighter, the chorus punchier and the guitar work tighter, all while holding on to the raw passion in the original. The song "Cheerleader" reportedly had its origins in Jamaican singer OMI waking up humming the melody in 2008. Miss May I’s sound lends itself well to an edgy hip-hop song such as Jay-Z’s “Run This Town.” Some of the band’s rhythmic choices feel a little off, particularly in the verses, and their interpretation of Kanye West’s section comes off as less effective than the original. At least until the end, when BC finally get creative with a sick breakdown. Jack White, singing from the feminine perspective without a trace of irony, brings down the house in his epic rendition of a country classic. Fun fact: This is the second song on this list (after “I Fought The Law”) originally written by Sonny Curtis, the singer-guitarist who fronted The Crickets after Buddy Holly’s death. Tarcy Thomason’s voice sounds as sexy as ever on the track, but ultimately, Lady Gaga’s throaty style is what gives “Bad Romance” its signature vibe. Sometimes, changing up the entire feel of a song—tempo and key included—totally works. Instead of just seeing how loud and fast they could play “Take On Me,” MxPx really struck the dog-on-a-chain sweet spot of restraining the cranked guitars and accelerated tempo just enough to still let the song’s melody and groove shine through. Longview - Green Day 4. , turned into a sick breakdown with screamed vocals, albeit a short one. ’ shoes aren’t easy to fill. This wasn’t one of those times. To top it all off, frontwoman Jenna McDougall’s vocals are incredible. While the song feels incomplete without Hayley Williams, we at least have to give Jordan Witzigreuter props for getting creative and singing the verses. Most Punk Top 30 Results You voted in droves in The Lock Up's Most Punk poll. October 26, 2020 ... It’s only natural that a band that literally began their career with a punk song based around the existentialism and absurdity of life as depicted in Camus’ The Stranger to only a few years later begin a song with the line “It doesn’t matter if we all die.” So whether you're a p op-punk fan looking to broaden your horizons, or a pop fan wanting to try something new, this list … After all, what’s a ’90s pop hit without them? This cover is a prime example of a band hitting its stride right out of the gate and it actually serves as a fantastic entry point for getting acquainted with X’s catalog. While The Donnas flirted with classic rock and heavy metal in their later albums, the Palo Alto foursome always built their sound and ethos on good old-fashioned punk music. Writing and performing the perfect cover song is a challenge. And if you want to listen to the songs in question, I’ve done a lot of the work for you; just click on the YouTube link at the bottom of each song description. After the Red Sox World Series win, Dropkick Murphys included “Tessie” as a bonus track to their Warrior’s Code album released the following summer and added famed Boston sports broadcaster Joe Castiglione’s “Can you believe it?” call of the final play as the song’s intro. Over the years, there have been some serious masterpieces. You can also check out their recent live session in the Paste Studio in New York. Some stronger instrumentals would’ve elevated, Who knew that some guitar, drums and fresh pop-punk energy was all this, track needed to go from overplayed breakup song to total banger? series know, nailing a cross-genre cover is an art all its own. 7, containing a total of eighteen releases, featuring mostly cover songs. Needless to say, these longtime post-hardcore icons might’ve been better off covering a track in which it would’ve been more fitting to come on strong (no pun intended). Say what you will about the lack of screaming and breakdowns in this cover, but there’s definitely something to be said for this stripped-down version of the Plot In You. However, the howl gets lost in the breakdown. in 1991, the five-track EP included a trio of covers—Aerosmith’s “Sweet Emotion,” Metallica’s “Enter Sandman” and Van Halen’s “Ain’t Talkin’ ‘Bout Love.” “Sweet Emotion” and “Enter Sandman” are both fast-and-sloppy also-rans, but “Ain’t Talkin’ ‘Bout Love” stands out as a really solid example of early Bosstones magic. Metalcore mainstays We Came As Romans added some really cool guitar and drum elements to this still slightly overplayed Taylor Swift track from her 2012 album, Red. Taking away the glossy sheen on the boy band’s vocals make the song feel literally lackluster, and while it might sound crazy, we actually found ourselves missing the “Oh, oh”s. However, the band did themselves a disservice by sticking so closely to the original, without really adding much of their own signature sound. In fact, we’re not sure the band could’ve picked a better “pop” song to cover for the seventh. The perfect amalgamation of song choice, band performance, and fortuitous timing, The Clash’s “I Fought The Law” set the high-water mark for just how impactful the right cover song can be for a band (and even an entire genre). Jett’s version of “Love Is All Around” from The Mary Tyler Moore Show (which, by the way, is No. Fearless Records’ famous Punk Goes… franchise has certainly come a long way since its first installment in 2000. While the bass-led pulse of the original was one of its sonic hallmarks, The Slits invert the song’s rhythmic elements via a thumping kick drum and a disco-flavored hi-hat. American Idiot - Green Day Punk mainstays like the Ramones, Pennywise, the Descendents, the Queers, Shonen Knife, the Vandals and more have all rammed (some more than once) the sun-kissed sounds of the quintessential ‘60s rock band through an amped-up, down-stroked punk filter. If you’re looking for a good place to start with the band, they just released their first “greatestest hits” album Rake It In this past May. During Green Day’s early pre-Dookie years, the band earned its punk stripes as an integral part of the wildly explosive scene at Berkley’s 924 Gilman Street club. A list of the greatest ‘Punk Goes’ covers of all time All Time Low – ‘Umbrella’ (Rihanna cover). While the instrumentals in this cover are impressive, Joe Taylor’s aggressive vocal style just doesn’t fit this iconic 1975 single. The line “That’s just what gangsters do” gives us chills every time. Ditching the carefree pop vibe for a much darker, heavier sound, I Prevail’s cover of “Blank Space” is widely regarded by fans as one of the best Punk Goes Pop covers. It’s clear that the band had a lot of fun with this cover, but we definitely would’ve liked to see more of the guitar and drums that made the instrumental parts of the chorus so awesome. However, if This Century had to cover this track, we would’ve liked to see them do more to change it up from the original. The song that put rap-rock on the map, and gave Aerosmith a comeback. Yellowcard’s cover of Michelle Branch’s “Everywhere” is undeniably one of the most memorable and well-done tracks on the album that started it all. Speeding up Bruno Mars’ “Grenade” definitely detracted from the song’s emotional quality. 40 Greatest Punk Albums of All Time The riot-starters and two-chord wonders that blew rock wide open Like Moths To Flames’ all-over-the-place approach just doesn’t work for a song with such a consistent feel throughout. 21. Grayscale’s reimagining could have worked better had they pushed it a little further. It appears that Shonen Knife’s cover has some pop cultural legs as well, as the song appeared a year after its initial release as the closing theme to the 1995 film The Last Supper and has shown up again as recently as last year’s Gilmore Girls: A Year in the Life reboot. Right before the deluge of ‘80s punk covers that oversaturated the late-’90s and early-’00s, Bremerton, Wash. pop punk trio MxPx beat most bands to the punch with their knockout cover of A-ha’s “Take on Me” from their 1995 On the Cover EP. While they definitely succeeded in making the song feel less cheesy, their approach was a little too out there, and this track would have been best left to its sweet simplicity. While the original is an excellent example of modern folk-rock done right, the Tonight Alive version is a great example of a Punk Goes Pop cover done right. As heard in future live show recordings, The Slits further evolved the song from their studio-recorded B-side to include more jungle tom drumming and to highlight its danceable nature even more. albums. The Los Angeles-based group started out as a trio around 1977 and (along with The Zeroes) were pioneers in the Chicano punk scene. M.I.A.’s unique vocal style fits the meaning of “Paper Planes” so well, it’s hard not to find it a little boring when sung by anyone else. Years before the platinum-selling polish they showed on 1997’s Let’s Face It, The Mighty Mighty Bosstones showed a spunky pioneering spirit on tracks like “Ain’t Talkin’ ‘Bout Love.”. There’s something about the allure and intrigue of an audible British accent in a song that can’t be replaced. THE ESSENTIAL TOP 100 PUNK SONGS TO OWN-IN NO PARTICULAR ORDER show list info. series had already strayed from its first titular genre when the third volume was released in 2010. Patti Smith is sometimes pegged as more poet than punk, but there’s no doubt that her otherworldly creative output has always been informed by her early punk influences. is gonna be made loud—and “Over My Head” is no exception. Much like The Clash’s “I Fought The Law,” Social Distortion’s fiery cover of Johnny Cash’s “Ring of Fire” is emblematic of the perfect fusion between right band, right cover and right time. Of course, in complete contrast, any pop song covered by. 20 on the Billboard Hot 100) and scoring their only gold record as well. Grayscale swapped out the simple, chill diss-to-an-ex vibe for a driving rock sound, complete with plenty of pop-punk drum fills and a big chorus. specifically wrote “Bulletproof” in an attempt to stand out from the same old musical and lyrical themes that dominated mainstream radio in 2009, we can appreciate, ’s cover even more. wins this round. 15 Pop-Punk Covers That Are Better Than The Original 1. Adam Levine’s falsetto on the word “pay” is a standout part of the original that we would’ve liked to see preserved. Basket Case - Green Day 2. When Dead Kennedys released their debut album Fresh Fruit for Rotting Vegetables in 1980, songs like “Holiday in Cambodia,” “California Über Alles” and “Kill the Poor” thrust the feisty foursome (and especially lead singer-songwriter Jello Biafra) into the limelight as a politically charged punk band. When done well, though, it can turn even the strongest opponents of pop music into believers. ... Their debut album was called Greatest Hits, after all. songs, I split them into two categories. Writing and performing the perfect cover song is a challenge. wins this round. While The Jerky Boys was unilaterally panned, the film’s soundtrack is an incredibly entertaining listen and L7’s cover of “Hanging on the Telephone” is almost worth the price of admission on its own. and a slightly-less-than-serious approach to the vocals. Knowing that synth-pop duo La Roux specifically wrote “Bulletproof” in an attempt to stand out from the same old musical and lyrical themes that dominated mainstream radio in 2009, we can appreciate Family Force 5’s cover even more. They made the sound brighter, the chorus punchier and the guitar work tighter, all while holding on to the raw passion in the original. With those things in mind, there are many punk covers that just didn’t make this list due to there already being adequate representation from a similar pick. There For Tomorrow frontman Maika Maile’s beautiful voice works well for this emotional R&B song. Is hip-hop metalcore considered an official genre? Despite being composed of mostly screaming, the sung choruses make the song feel just as danceable. PUNK IS A VAST GENRE WITH VARIOUS SUBSECTIONS , BUT WHAT ARE THE MUST HAVE PUNK TRACKS ? 24. Masterfully driven along by the band’s ska-core boom and Dicky Barrett’s instantly recognizable bark, their cover of “Ain’t Talkin’ ‘Bout Love” is made exceptional by the quick snippet of The Specials’ “Nite Klub” they throw into the cover’s bridge. Never one to be away from music for too long, Joey Ramone took the stage two short months later at an Arizona alt-rock festival (as “Joey Ramone and The Resistance”) and played his excitable cover of Louis Armstrong’s “What A Wonderful World” for the very first time. Perhaps some more variance in the screaming styles or even a mixture of screams and clean vocals would’ve made for a better tribute to Gym Class Heroes. Check out 12 of Billboard’s favorite punk rock Christmas songs below. That said, there are some fantastic instrumentals in this version. The Dollyrots, “Da Doo Ron Ron/I Wanna be Sedated”, 27. What more appropriate way to mark the first U.K. punk single than by thumbing your nose at the biggest band in the world on your B-side? That most awkward of subjects, love, was mostly off the agenda in the speed driven years of the glorious revolution etc. Their particular brand of pop-rock makes the song feel, well, hopeful, as it should. While the Riverboat Gamblers shave a little of the pop polish off of “Let’s Go Crazy” by approaching it with a more raw abandon, the fact that they never quite capture the outright fury of Prince’s original guitar work may be the most punk revelation about the whole cover. One might expect a no-frills punk band comprised of four tough guys from Queens clad in black leather jackets, tight jeans, and low-slung instruments to not have such an affinity for the beach (Rockaway or otherwise), but their covers of The Beach Boys’ “Surfin’ Safari,” Jan and Dean’s “Surf City” and The Trashmen’s “Surfin’ Bird” say otherwise. cover. While The 5.6.7.8’s kinetically bouncy cover of the 1950s rockabilly quasi-instrumental “Woo Hoo” was originally released on the Japanese trio’s 1996 album Bomb the Twist, it gained a significant amount of popularity in the early 2000s thanks to its in inclusion in Quentin Tarantino’s Kill Bill: Volume 1. In this particular case, the style of the original song might’ve just been more fitting. The blueprint of a punk band covering a punk song isn’t a guaranteed recipe for success, no matter how well-intentioned. 2 on the Billboard Modern Rock Charts and No. Select Post; Deselect Post; Link to Post; Member. It’s rare that this happens, but turning Rihanna’s “Disturbia” from pop to pop punk—if you can even really call it that—actually made this dark song sound a little too bright and happy. If you’re a late ’90s/early 2000s hip-hop purist, though, you might find the totally transformed vibe of this cover to be a bit much. Vocalist. When they released In My Eyes at the tail end of 1981, they closed out the seven-and-a-half minute four-track EP with an aggressively furious cover of the 1960s pop single “Steppin’ Stone” made popular by bands like The Monkees and Paul Revere & The Raiders. No cover can ever fully compare to the melancholy yet stomp-along quality of Mumford & Sons’ debut single, “Little Lion Man.” But Tonight Alive’s cover is such a fantastic reimagining. Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the Punk Goes Pop albums. The misses, the hits and everything in between. This cover has lots of great qualities, but it could’ve been better if Crown The Empire hadn’t changed the notes in the chorus. But the real issue here is that there was only so much that could be done with this track, which is why it gets the solid middle-of-the-road spot on our list. I Fought The Law-The Clash. Anarchy In The U.K. - Sex Pistols 5. ’s voice doesn’t work for the song; it’s more that his singing lacks the distress that Rihanna’s conveys. Of course, as with any expansive discography, not every song can be a hit. And the guitar outro is the perfect finish to a metalcore cover. However, they did interpret the quiet bridge beautifully. That makes him a perfect candidate to cover the English singer-songwriter’s breakout single, certainly don’t need to apologize for their faster yet just as emotional (if not more) rendition of this well-known song. Features Best Cover Songs: 25 Definitive Cover Versions You Need To Hear. Not only does the band still play it in concert to this day, but it’s also been a longstanding tradition to invite a random audience member or two up on stage to play their instruments (often sending the temporary band member home with a guitar, as well). Batman Forever may have its share of questionable moments (nipples on the batsuit? Right off the bat, you know a John O’Callaghan/Adam Lazzara collab is going to be worth listening to. The central theme of longing still feels just as genuine with a faster tempo and intensified instrumentals. While the original is an excellent example of modern folk-rock done right, the Tonight Alive version is a great example of a, cover done right. The rapped verses (with occasional bits of singing) don’t work quite as well at this new tempo, and some of the sung lines feel a bit awkward and oddly placed, but the choruses provide the opportunity to reflect more deeply on the song’s powerful message. It’s seminal release, Punk Goes Pop Vol. State Champs stayed true to the original in many ways, adding their own sound in all the right places. We’re curious to know what the song would’ve sounded like with more guitar, but we’re definitely not complaining about FF5’s interpretation. track reimagined as an aggressive metalcore song, the balance between the screaming and blunt sung vocals felt a bit odd. List of 100 Greatest Punk Rock Songs of all time, plus 10 Best Punk Songs of 2017 as compiled by digitaldreamdoor.com Top 10 punk rock love songs. Sparks The Rescue made more changes to Lady Antebellum’s (now Lady A) “Need You Now” than what’s typically heard on a Punk Goes Pop track. 4. They manage to add even more texture by combining highs and lows. The 9 best metal covers of old school punk songs (plus one absolute f**king stinker) By MÖRAT (Metal Hammer) 08 February 2016. Mayday Parade — "When I Grow Up" (The Pussycat Dolls). We love Jake Luhrs’ screams as much as the next person, and there are definitely a few sections where August Burns Red’s heavy sound fits, but clean vocals almost seem like a requirement to capture the undeniable emotion in Miley Cyrus’ “Wrecking Ball.” A mix of the two styles might’ve made for a more compelling cover. © 2021 Paste Media Group. had a dollar sign in her name. Listen to 100 Best pop-punk songs ever now. And Vic Fuentes’ verse is just to die for. Sara Bareilles’ “Love Song” is the epitome of mid-2000s, midtempo, piano-driven pop. tracks, but somehow it just works. To say that the Ramones knew how to pick good cover songs is like saying that they knew... 3. Despite planting his roots firmly in the country community, Orville Peck dances on the edge of the alternative world with his groundbreaking sound and aesthetic. 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